Here is a list with links to my publications.
How Music Empowers: Listening to Modern Rap and Metal (Routledge, 2021), paperback 2022
🔓 It’s Where You’re @: Hip Hop and the Internet, Global Hip Hop Studies, 2, no. 2 (special issue co-edited with Raquel Campos Valverde) (2023).
🔓 Hip-hop producer-hosts, beat battles, and online music production communities on Twitch (with Jason Ng), First Monday, 27, no. 6 (2022).
🔓 Listening to virtual space in recorded popular music, Journal on the Art of Record Production, 12. (2021).
🔓 Saturation Season: Inclusivity, Queerness, and Esthetics in the New Media Practices of Brockhampton (with Kai Arne Hansen), Popular Music and Society, Special Issue on Music, Digitalization and Democracy, 44, no. 5 (2021).
Breaking down the breakdown in twenty-first-century metal, Metal Music Studies, 5, no. 3 (2019).
Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve’s (2019) “Jailbreak the Tesla” (feat. Aminé), in Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks, edited by William Moylan, Lori Burns, and Mike Alleyne (Routledge, 2022).
Empowerment in rap music listening ft. Kendrick Lamar’s ‘Backstreet Freestyle, in On Popular Music and Its Unruly Entanglements, edited by Nick Braae and Kai Arne Hansen (Palgrave Macmillan, 2019).
🔓 Posthuman Rap, by Justin Adams Burton, for Popular Music, 38, no. 1 (2019).
🔓 Over and Over: Exploring Repetition in Popular Music, by Olivier Julien and Christophe Levaux, Analitica, 11 (2018).