The story of hip hop’s commercial success in the 21st century is one of a steady decline followed by a striking ascent. At the turn of the millennium, hip hop held a major presence on the charts, but never accounted for more than a sixth of the best-selling albums. By the end of 2020, hip … Read more
This may form part of the introduction to a forthcoming monograph, provisionally titled Digital Flows: Internet-Based Hip Hop Music and Culture. Hip-hop artists get a bad rap for writing about the same old things. Often, criticism is levelled at lyrics associated with materialism, consumerism, misogyny, drugs, and violence. Although these themes – and the racial, … Read more
For the first post on lofi hip hop before and during COVID-19, please see here. Lofi as a genre, and its antecedents To what extent can lofi hip hop be considered a genre, and to what extent do its producers, curators, and listeners participate in a virtual community? At present, there is a broad understanding … Read more
Introduction In the past, I have joked that I do not trust anyone whose YouTube suggestions do not include lofi hip hop radio – beats to relax/study to. Since the start of the COVID-19 global pandemic, as we (privileged sheltered) have receded to our homes to continue day-to-day life, leisure, and work, we have adopted … Read more
Introduction This blog post examines YouTube comments on ‘WAP’, performed by Cardi B and featuring Megan Thee Stallion. The aim is to demonstrate some of the data collection and thematic analysis methods that inform the Digital Flows research project, so it can be considered a small pilot study of sorts. In what follows, I’ll introduce … Read more
[TW: racism, anti-Semitism, suicide] How powerfully can music affect us? This week I was linked to an article, now a couple of years old, that argues the Swedish dance pop group Ace of Base were responsible for tricking millions of Americans into supporting Nazist beliefs. Okay, Cracked isn’t known for especially reliable and coherent writing, … Read more