Towards an ethical model of social media data analysis for internet music studies

This is the script of a paper I gave at the conference Information Overload? Music Studies in the Age of Abundance, hosted online by the University of Birmingham on 8 September 2021. For more info, see the UKRI AHRC Early Career Leadership Fellowship Music and the Internet: Towards a digital sociology of music. Introduction Scholars … Read more

Beats, Online, and Life: lofi hip hop during COVID-19 (part 2)

For the first post on lofi hip hop before and during COVID-19, please see here. Lofi as a genre, and its antecedents To what extent can lofi hip hop be considered a genre, and to what extent do its producers, curators, and listeners participate in a virtual community? At present, there is a broad understanding … Read more

Gendered Commentary on ‘WAP’ (Cardi B feat. Megan Thee Stallion)

Introduction This blog post examines YouTube comments on ‘WAP’, performed by Cardi B and featuring Megan Thee Stallion. The aim is to demonstrate some of the data collection and thematic analysis methods that inform the Digital Flows research project, so it can be considered a small pilot study of sorts. In what follows, I’ll introduce … Read more